Oct 20, 2013

Biniken Meruriku Tikisike kiek biniken Ruritbin The sacred geometry of the Tuaregs

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The sacred geometry of the Tuaregs Cover

Biniken Meruriku Tikisike kiek biniken Ruritbin

The sacred geometry of the Tuaregs

 

Shu ruskiku ruritbin tuskerra bimatre center teiku kuranu rikuskba natunkur mikimre kurenan kiek ruritbin mabimike liritan keuk kikerre Shirimu Shikikta kuskur. Kerusen lekarike bataniku likisen nisatre biniken shu ratis kiek minanike labirira nititban nititmi keat risertin:

 

Hatumere or magic squares are symbols of this perfection. There are two types of common functional magic squares used in North Africa. Functional here implies that the squares are not merely suggested by the layout but also contain some numeric element such as words, numbers, or symbols.

 

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Tanatmi nitintir litittir lekitbin biniken ruritbin shu rusmi ruritbin menursk latitu luniktin Merinke Saara tikitban biniken kusittir nabekre. Baib ruritbin shinitike lanenban sha tiritin kuneran tiriktir matrik kike biniken Shatusre Labuskre Shatarmi shabba. Luserra sha bikan kimuskke rerersk busimsk kike bitikike natinita tusiribin kiek Bekekan, Shekittir, labirira Mali. Ritenis maburmi benanita likarsk kuneran labirien bair natunkur kiek biniken shinisike kusenre kiab Bekra Merinke labirira shiriekke labirien keat shimusita baan shu skenta sha timke sha buskta kiek sha nikan:

 

"If a man would like to be alone with a woman, he draws the tifinar letter “S” on her palm, if she does not return his affections she politely turns him down with the Tifinar letter “N,” a line drawn from wrist to fingers. If she consents, she instructs him to leave with the other suitors and come back alone with the letter “L,” by drawing the same line and then another in the opposite direction."

 

Keike baan Kimikan luskimmi Bizanmi senusmi shimusita. Keat 569,  Kustinianu, biniken garamanterra kiek Garama kikustir kristianerra. Sinuskste nisatre shu ritta lekitbin sha termi kiek biniken Misekbin kenenmi keat ruritbin shimimtir, matiris keir sha busbin Tamachekur nunuskur (biniken nekikste sha titmi kiek biniken Murissken) kim “mesi”, “angèlus”, labirira “abekkah”, buskinike runekste, kinaniku, labirira bitiken, linitike, keir busatbin keir biniken renusbin shu ratis kiek biniken shenitke nikeru raniktir keuk shu skabra luskikke.

 

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Tikitban 700, Sharenkur shu nantir menursk sekerba baen biniken Bizanken labirira biniken ruritbin kenarste kike Lurimkur menursk banste. Johannes Nicoliason likarsk kitatbin lekitbin shu skabra kenarste renitta sikuniku munurbin baesk biniken Bekra ruritbin shu ratis kiek misenu murekkur ririurbin bair T titenkur teit biniken likinis kiek biniken Shurittir Sharenkur sinenmi.

 

Sha turkur sinuskste nisatre shu ritita kike kitenike mitaben maritbin babuntir kier biniken kusittir reritita kiek biniken Shirienita labirira ritenis Sharenkur shu nusbin kiek luskatban keat biniken Murissken sha bikan sinuskste nuskisu shinanita banste baan biniken rikanta kiek nititmi kiek shiriuskur shimimtir.

 

Kerusen kiek likinis ririenre kiek Shurittir Sharenkur shiriuskur shimimtir nisatre biniken mitabita kiek Sharenkur baritiku labirira biniken biriban labirira tabittir rusurtin baib sinuskste. Timusku kike Shikikta narre, Shirimu baritiku nisatre babba shinekis kiek biniken mikitmi kiek biniken kuran. Sinuskste nisatre natinmi lekitbin biniken bitisis mikartin kiek Lurimkur barurke senre kike Moamma keat titimen kusktin Shirimu:

 

"More transient than his female counterpart, male Tuaregs also require the geometry based protection that the tent provides. The veil, a narrow rectangular band of cloth is wrapped around the head and face in a very ritualized circular fashion." 

 

 

imageSinuskste nisatre renikan kike teoretike, sartin lisuskste shenitra keat mitaben larimsk binintin (kusarke musisbin kike biniken tureriku lekitbin ruskenu biniken rabaten tikerra kiek biniken ririekban), lekitbin Tifinar satiriba, kim Shirimu, Kimikan, labirira Ge’ez, shinanita musekesk shu skuskke kike labirien, litbin barusu kike biniken musekesk shu skuskke kike kuskenu Shirimu satiriba.

 

Sharenkur keometria kuskikban nisatre kike sunarike, shu skenta nititban babuntir kier biniken sitankur ririenre kiek biniken rusenban kuskabra labirira, biniken shu nabre kiek sitankur musekesk lekitbin sha tiritin turtin kike tinimta biniken sha bikbin kiek biniken liseren labirira biniken bekekiku kiek biniken kekinkur.

 

  

Birdwhistell, Ray L. (1970) Kinesics and Context: Essays on Body Motion Communication. Philadelphia: University of Pennsylvania Press.

 

Briggs, Lloyd Cabot. Tribes of the Sahara. Cambridge: Oxford Universe Press, 1960.

 

FL-280811 Giryd Iconografig

 

FL-130411 Language and Iconicity

 

Miron, Murray, S. (1961) ‘A Cross-Linguistic Investigation of Phonetic Symbolism’. Journal of Abnormal and Social Psychology, 62: 623–30.

 

Prussin, Labelle. African Nomadic Architecture: Space, Place and Gender. Washington: Smithsonian Institution Press, 1995.


Prussin, Labelle. Hatumere: Islamic Design in West Africa. Berkeley: University of California Press, 1986.

 

Tressidder, Jack. Dictionary of Symbols: An Illustrated Guide to Traditional Images, Icons and Emblems. San Francisco: Chronicle Books, 1998.

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