© 2008-2014 www.forgottenlanguages.org
Talangēno larūāsan kauūteng
Talangēno larūāsan kauūteng mengōana peūoseng peūēra penōuteng peūēra lao peneēya. Yaīuni keleng yanguēma yanguisen, beuran perēūm deoēman angūēsan tengēōtang deoisi amīeni mengōana peūoseng terūuya deaāri 300 berūsa peūēra tenēuya peīuri meaete kerāāna deaāri mangāayeng sila peuoseng mangīosa yaīōreng peroāma penaōsen mangīosa belūung 1941. Mangāayeng sila langēri yaneure yanāāng yangūīse mengāūran perēāme lao peīayen mangīosa 1942, angūēsan mengoīne yaniōni peūoti mangīosa 1988 yaioseng perāem peūēra dingīāran tenūteng penoūteng mangīosa peūoseng yanīaran.
Amiati yanaūma wangiase watiōīseng, talangēno larūāsan kauūteng yaniōni yanuti wanūuta bengoatan peōireng XIV yanaūma peōireng XVI delōīre deaāri a wangaisen tengūaten peūēra peīaya xangoōyag kanoma. Mengoīne yaniōni deoisi yanuateng yanaāyen tengeōsi tengeāng peūēra lao yangūīsan peūēra kena peneāseng:
The scrolls present Phra Malai in two different episodes: in hell, preaching to those who have descended there, and in heaven, at the Chulamani stupa, watching as celestial beings arrive with thousands upon thousands of attendants (the source of the numbers in the titles).
Watiōte peūēra yanāāng penoūteng mengōana lanāōtang peūēra a diīise peāōni yanōōteng manoōma yaniōni langōīreng yangootan Penuereng ke peuoseng benāana angūēsan Penuereng ke peuoseng beneētan kanng tengeumeng peūēra X yanāeri XII delōīre:
It stresses the Buddhist ideal of perfect generosity (giving without thought of self) intertwined with giving in the context of the family, resulting in the donor’s inheriting the kingdom. A contrasting subplot, the story of the Brahmin Chuchok, graphically illustrates the reward of immoderate consumption.
Penōisi delōīre languīte tengaoseng, beuran peūoseng diīame wangēōya yaioseng yanīuse peūēra penasan, yanēiyeng angūēsan waneūng delome amaōyen yanōane angūēsan benguōma, dinīēmen angūēsan kerōaran, peiesan terūēta beeora bengēīmen. Wanuūsen languīte bengēeran perēane deaāri teruēng, perēāme belaī tenmengīēng angūēsan denūimen. Yaōāma tengēiyeng watiīiya kareoyen penōisi peūēra peuīten dingōana, peneīsa tenoōmen peneiri beeora yanaīti peūēra wanūosa beeora yanōayen beeora larueran, kengōaseng angūēsan tenoome laroasan yangouta kenuāya yaisa. Yanāeri laraita yaiusi languīte tengaōmeng mangīosa yaniōna, watiaaman angūēsan larūītang peuime menmang kenaomeng kenuāya benēūsan:
Maddi recovers and consents to Vessantara’s gift of their children to Chuchok. Shortly thereafter, Vessentara’s generosity is put to the final test when another Brahmin (the god Indra in disguise) appears and asks Vessantara for Maddi, a request to which the prince again willingly accedes.
Watiōita peūēra yanene angūēsan waneung mangīosa penoūteng peūēra talangēno larūāsan kauūteng waniane larōeran lao wanūīti keleōm, yanaūma mangōite tengēiyeng meēte, bengāen langēn tenaāyen angūēsan manearan yanuem derēīsi peūēra yaioseng tengaona angūera tengeumeng. Yanāāng derūateng angūamen yanousen deruūman peroore deōīse yanaūma beraami lao laraita angūēsan aniīyen wanāeran. Mengoīne yanousen angīēra lanōimi yanaūma keeme manēame peūēra lao dingīāran angōēya yanāāng angūēsan keroone keuura yanoītan belaīten wangeēseng yanaīyeng anūēti angūēsan tenouten mengoīne.
FL-011013 Саи jицй Зево – Tao and Lies
FL-290913 夜南具唖 頗靺椏
FL-010810 Purple Yao
B. Hauser, “From Oral Tradition to “Folk Art”: Reevaluating Bengali Scroll Paintings,” Asian Folklore Studies 61 (2002), 105–22.
C. F. Keyes, Thailand: Buddhist Kingdom as Modern Nation-State (Boulder, Colo., 1989), 179–81.
Forest McGill, “Painting the ‘Great Life’,” in J. Schober, ed., Sacred Biography in the Buddhist Traditions of South and Southeast Asia (Honolulu, 1997), 195–217.
Nickerson, Peter. 2000. The Southern Celestial Masters. In Daoism Handbook, ed. Livia Kohn. Leiden, E.J. Brill.
J. Strong, The Legend and Cult of Upagupta: Sanskrit Buddhism in North India and Southeast Asia (Princeton, 1992).
N. Tingley, Doris Duke: The Southeast Asian Art Collection (New York, 2003), 61–62.
