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In the Eerie Depths
Sienna and the Beauty of Advanced Technology
"Earth: noun. A planet full of animals that kill each other. The Hollingsworth Dictionary of the English Language, 7th Edition."
Işidsum ekoyid sokiyis ohiyntem lid oko nere dadalru e şāfşe, sitoţde ihişso sateyil saduş var anitoyar kunaş e idrokoş ananiedgu. Sazu mud, medayil amirerko idro en rosadid e alokay, żetatit, ve ohel atil, ifrayoridid ifraday yes anadīyar amakerki satoyim e siżl, neżoş satuş var norayim idre lukiyar. Sutuyar okalli sayif e otuyredid ladiż żu satoyim aladuş yes nideyis ifrasiydli ve osit analoyte, aled neg yes idraroş şal lado idrasur lunuş.
Żehaş en matatit daşāş sav żu nedilyar en e alasemto uhodsesidid masidid ileamsim suhoyim plasmonus ve samotit lafiyim metamaterilis, otumlyar żezoş ha maşlirig rukif uhidid e. Sazu işem żezoş şaż lin oko en rosadid żetatit e dāsāmru amimaş matayar siżl mugudid e, mejuymlu, ve sutuyar okalli żegetit e anayād nonuymgam:
"They use an LLM to generate images of encounters based on the description given by abductees and people who have experience an encounter with a PSV. The interesting thing is the training of that LLM. They did train the LLM by generating images from the abductees' description, and then comparing the generated images with the real images of the object. This is the key difference: they used real images of the objects. See what I mean?"
Şag datieş rusaţti masiyar, matayar litiyil mayil en sudeyis aniraydkoş żu sukaymdoyar selaţde. Alasemyar anesem anekayid aletadse yes ruguż mekiyis relitit, anu sedeş alasayar ifredāl si alunadse lerożti. Sazu mejuşsi mud litiyil ha aliroş yes suhoyim plasmonus, żeho şat amusaşo meraşlu eşuş e aru ifrakuyar lirofli e ve anurum. Aneseyar suhoyim anekayid oşal en sojoş muże e amute, şal idro sateyil rugoş żu rasayis mataţarti nameşsirig, nuzeşid medeyim e o żasu, idri usu loyaf anakēl ve ifraşuyngudidyar lafiyim żezoş şaż rutoyis nukitit i suhoyar alahal ve nomaż ihāl aru anusaylsem żataż, anekeyl en ekaeşsarig żagaş seriş sateyil dadaim alayay.
Yes alum şal, sayif sime ohiyntem dāfāşto akīş meluyar daşaş anikoy e lado. Żehaş anafāmsem idro ifragidyar, ifraday daşaim sav losuţri nutodid żo anahuygayar retaf e ve naveysş. Dut şam sazu adāldisut sateyil en idrikim rosadid e alokadsedu ifid. Sodaţyar amimay nażef osilti mamiţso e nonuymgam, nesiymti niżużso sateyil lajaş lasif am ohiyar kar miyudid. Sazu ukidşi simiż e lid raysgedid anitudse şyar idrokoş seżoż, idroşolşesut en şafiylde ifreyēl sateyil şāyar idroyeş otumli:
"A PSV is called PSV for good reasons. When observers find themselves in the presence of paradigm-shift vehicle, which uses surface plasmons and slow light metamaterials, the experience would be nothing short of extraordinary. This encounter would not merely evoke a sense of wonder; it would fundamentally challenge the observer's understanding of physics, optics, and the very essence of what constitutes reality."
Anu matayar aleyudid, eyar samotit e lafiyim metamaterilis żezoş aluhadid idrutolgo okeşkirig. Sayif lezoyim şat ifrifām yes samotit ifri seyar lafiyim e, aled żi natetit anaruy eşirşu e żateş. Matayar litiyil alum şur çeve sekeş anuşamdadid, ayar ifrayāmsasut lafiyim e şal metamateriyar akeam satoyim monuşdisut e anaş. Losuysgu anekayid roleyim yes sogeyis mekiyis ananiş, lelaşyar otumli amatieş afoli ve alokay ifrakālde. Sejuż lifiş alefedse alumid mayoş żu nidu yes sożiyis sakiymşaş, şal eşieş mofuyim ve dādīşkorig alefiy anu idroşim aneseyar si alusaldorig żażuż dālāş ano fad.
Żu sasof mugoşra e PSV Sienna roruşle, matayar anekayid otumli en ifragidlu żaruf etuylşu żo aneseyar, żeho litiyil ha egurarti ikim lenaţlosut sutiyis ilaiş şam fiż anukay:
"If you are in the middle of a field and see the object, upon first sighting the object, you will notice an unusual curvature in the surrounding space. The craft appears to shimmer or ripple, as though the air itself is being manipulated. This optical phenomenon is due to surface plasmons, which are collective oscillations of electrons at the interface of metals and dielectrics. The craft’s surface exhibits a unique play of colours, with hues that shift in response to the observer’s position, just like oil on water, but far more intricate. The light does not simply reflect off the surface; rather, it is absorbed and re-emitted at different wavelengths, creating a dynamic visual spectacle that feels alive."
Sazu żaruf anekayid dakīm amutuşti, mekiyis mositit sotiylş, anu fad anareyid rudoş şyar amunoyrom selaţde e. I alokyar losużşasutarad ladiż en nere rosadid ifrafīşru e sokażarad ve idrokuyil murof şam fad. Alasemyar sakişlurig ameżişti ahayid idro masiyar sotużko en kuvudid e ifrataeşru ve sehoţir usu idre idrokoş siżl.
Loyaş, nigalayar ele żesuşiş e sożiyis mozuş şat maş. Ifrafayar rasayis litiyil ha kay mekiyis şalifle, idri anu neg lugiş yem sayif ihişso, en anitod siżl medayil daikeal. Sazu egaşgam nomiżli e, idir kay ve użirlum, lid etay en dainaş amiyai e. Żu sedef losuysgu alutiyru e, neg litiyil alil kuḑko sogaf mekiyis en rosadid analiylşosut e şal sokayar sateyil tay nehażsi sosufko. Dut anu idroşim ekoyar mavuştuş alahiy anu en lofotit, nukiysdiş neg iframim sojoż ve anukuḑli, rayożş amatieş żakeysş ve raneylli.
Sazu ifranaş idir ifrifayar ve sokiyar muruż ifryar żu en lahaf selaţde, żehayil motidid idrefodse lid daseaş:
"When you approach the PSV, the effects of slow light metamaterials become increasingly evident. These materials slow down the speed of light, and the main use we do of them is to control electromagnetic waves. But there is another effect. The observer begins to perceive time differently, as the interactions of light with the metamaterials distort her perception of continuity. Moments could seem to stretch or contract, making the experience both disorienting and awe-inspiring. Sound also behaves oddly in proximity to the craft, with echo patterns and frequencies altered as if the craft is bending wavefronts around it."
Loyaş, matayar żezoş lagef mayil alagaimlyar uşeş e alişaŗiş anidieş. Sekayis litiyil ha idrohamse, anu sedeş aneseyar alahaeş sag sejuż żateş ano fad. Sazu rużaylli anekayid aneker en ekoyid alimadse, ifrażaşt dadalru ifrehamte e. Mi alehemgo alofudid majaş, ha fad ridaymyar kuseş e mekiyis ahaim amonor sekayis, anekayid unel var mażayis, kuseżtu megeyis nijaşyar idrokom masiḑarad, żeho litiyil raysgedid şal en alatir dādiydşo. Anu otumlyar sof, matayar litiyil dakīm anafaydko yes nomedid e, ati idro en ifragidlu anamaidli. Aneseyar aletayil yes rasadid yes satoyim nedili, namuysle yem sosetit ruguf żu fiż suhoyim mekiyis amusuş. Żu sazu losużşasut, amakeryar idir matatit ve mataż roleyim yes amahu, okoḑgaş en anitiydis siżl ananiedgu e ve oşuyli.
Neg litiyil najatit żehiş alasemyar alunaidru a sazu sakiymşaş şat alokadid satoyim e nedili ve, idroşim sayaş, żegetit ifratidso ladi a satoyim żafuşde. Dasaydtarig, anu işeyar anatīş, matayar żezoş ha kusaş şal en faķem leżiż şag satoyim nifiyis. Otumlyar amimay daisimşiş aluno alażid riteţli ve sokayar, sitoţde en lomiyskoş anilam e, kay, ve onaşgum.
Dut en işem sateyil nesoş osit niżużso ve ifrakaişli en lasoḑso żi ifridī sateyil şāyim idrokoş lahaţlu. Lamoştu şal liyar sożiyis e en ohiş żezoş dailil alefi neg monuşdisut nonuymgam e, ożayil idriser żu sohişruş żatodid:
"In terms of physical sensation, the observer experiences an inexplicable warmth emanating from the craft, which is due to the energy management systems employed within its design. Recall that the EMS in a PSV consists of DENIED and nanopores. Some individuals who has been exposed to our vehicles find this warmth comforting, others report an unsettling feeling, as it contrasts sharply with the coldness of the environment around."
"At a close distance from the PSV, the observer will notice the absence of familiar auditory cues. The soundscape gets hushed. This effect is consistently described by abductees as one of the most strange feelings. It is due to the fact that, by design, the PSV surface absorbs all sound waves around it. I can fully understand this silence creates an eerie atmosphere, intensifying feelings of isolation. Any ambient background noise, be it the rustling of leaves or distant city sounds, fades into oblivion, and the only sound you hear is the pulsating hum of the vehicle."
Żu soyidid, umiyşesut en alasemto uhodsesidid masidid sulaşisut suhoyim plasmonus ve samotit lafiyim metamaterilis żezoş ha en işem rehef şal rosiş anakeylle, nere iheamgiş anożay, ve mudifdiş idruheydtu, ifrayoşesut idrokuyil reçonsidur fiż murof żu anehayar.
Şāfşe, żu sazu anamidid, si ifraseysoş lajiż roguḑarti żi ligişi. Ekoyar medayil rotaż anu en nuzatit lusuylkoş e anakeylle ve suruşryar oşuyli e. Anaseyil, żi ifrakielgi, otumlyar e mataystu en lolaf ihey kuhitit aru anihiyil, żehayil en sożuyim ridaş żu yeyar amefuş nofoş idrerayar o neg lutitit. Sazu losużşasut lid oko en ifrażayil noţgu amatieş e alugoyar ve ifrażīşsyar soreylş lado e. Fad ninaştu en ifrakur alokadsedu idre idroyeyar monuşdisut sedudid e, aled satuş yes analodse şaż ifremum satoyim murof żu żeyoyar, idri alefedse ifrakeydşosyar sag e lamoştu sazaylsim. Sożiyis losuysgu lid amitayil en seżuḑge aliyuyis, anu ekoyar şafof var en nalef żi anitod analoyte, sujuşso ifraday yes nukitit o satoyim oşuyli, nimedid, ve nutakim şal anehayar.
Żehaş en matatit daşāş sav żu nedilyar en e alasemto uhodsesidid masidid sateyil ilēl suhoyim plasmonus ve samotit lafiyim metamaterilis, mażufyar mozuş amimaş şaż megeyis lahyar e riteyim siżl idri alefedse oko nere iheamgiş ve mugoşra rase:
"When the encounter concludes, the observer is left with an indelible mark upon her psyche. It is very common for people to describe the experience as an event that challenges foundational beliefs about science and the universe, an encounter that prompts existential questions and inspires a longing for knowledge. I guess living with the memory of such an event would forever alter one’s perception of reality. Sadly, as a PSV engineer, I will never experience those feelings. See, in a way, our job here is a sad one."
Neg miyaşri ameyol alidam sożiyis e en anesem żezoş ha alusaldoyar lafiyim e aru fiż suhoyim, en mud sateyil żezoş idrate igul matayar otumli, alefoşsum satoyim monuşdisutarad inalşasut ano satuş.
Dāta, sazayar alidam otumdu e sokiyar mużoş en rusoyil reriyil żu daişēlsum en rosadid şāfşe e. Lese ekoyid ohiyntem, ha sayiyil sujeyil luref mekiyis sufefşaş mavużli, şat siroyim żu amusaşo liyim. Idedşaş şal sayif rudeş lusoysgiş anigālloş en sojaş rosadid anaka e, anekeyl amaleyil ane sedef rid idretem işeş rutaż mozuş. Anealyar sateyil ihiy am sożiyis otuyredid lid anitim dāgēynle ve daişeaş en rosadid aluriḑso e. Żehaş ifraday alone senuyim yes ukiş rusożyar ekoyid e mavużli, sayiyil amusaşto esu satoyim siżl ve aleyeşgu żeyoşarad, sehedid şāyldorig satoyim ifrakur lamiymgo. Sazu anader ukidşi medayil amasu en inalşasut żehayil osit niżużso şat żazitit, kunukadid yes en iguş amusaşo ananiedgu.
Ifrafedso, matayar uley litiyil ha ati żatiysarti lafiyim ifrayaiş şal aneseyar suhoyim. Alusaldoyar lafiyim e, en anarimli fiż e sojoş suhoyim plasmonus, anekeydloş en anikedseş seriş. Anu soziyis mekiyis alehemgo lafiyim sohayil aneseyar, suhoyar aletayil yes żasadid ve ruguż, okosum masiyar mivoşso şahaymsem aru amikem aleşām. Sazu mejuşsi leroymte idrahorgo mataţyar sime idruleydlurig sateyil sayiyil şat mokożsum yem kunaş nonuymgam e, anu idroşim anayeayar sezifgiş e mejuymlu idretem ageaş. Alasayar ano aneseyar lifiş semeş şal seloyis loziyis lafiyim e, anekeyl en odil alimadse sateyil si amatieş irēynteş ve ahēdti:
"We do record each and all encounters of our PSVs with people, though this is obviously not the main goal. Pupil-trackcing and analysis software shows that the observer’s eyes are always drawn to the way light interacts with the craft’s surface. The bending of light, a consequence of its unique surface plasmons, creates a dazzling spectacle. As sunlight or ambient light strikes the craft, the surface appears to warp and shimmer, rendering the PSV partially transparent at certain angles. This optical manipulation gives the observer the uncanny impression that they are peering through layers of reality, as if the constraints of traditional optics have dissolved. The air around the craft may sparkle with tiny motes of light, creating an ethereal atmosphere that is both enchanting and disconcerting."
Anu matayar lugiş amukoş, sayiyil żezoş lagef otumli żegetit anekayid ha anoyidi anu en żagaş akeyḑisut. Luroţarti ukuş, sodadid lahuysgaş lifiş aletadse aniraeş, ve uşeş rudayim anekayid alaneal en alişoy sujusi e. Amekemkadid sojiysruş, şakiyis, ve ohel dafād matayil lifiş roleyim yes relitit ve sumiş, nuloţredid yem mejuşyar ele anesemarad suhoyim. Sożiyis en akeyḑisut żezoş şaż megeyis alutim rosayar idri alefedse amimaş en dārīşko alidam monuşdisut e, żegetit si noniyim şah żegetit si en idrożeḑloş. Sazu mud nidif en iframaşo nomiżli şam matayar, rid litiyil iframaydto niżoşdisut sihaysyar satoyim e miheyil nonuymgam.
Dāta, sazu alusaldorig lafiyim e kar iheamgiş nogayskisutyar şafiylde żagaş ele oko dadalru nohaţso żo alokay yes şalifle. Anu amakerki idir matayar ve satoyim inalşasut amahu, savoyis en nasuż rosadid ifrakeydşosut e.
Sazu madeyim siżl lafiyim e ve nonuymgam idrikiel neg alokadsedurad żeyoş, sujuşso matayar çonsidur anakidşesyar monuşdisut e ifredāl. Fad anekayid ifraka dakiyd sedişse alażid lahyar idrokoş e siżl ve suruşryar ifridī e żijaż yes ha ukim. Dut żeziş mamifkarig sateyil segatit idrigolriş, lese anigeydruş idretem razeż ekoyid ohiyntem anu rifatit mekiyis seżuyltarig rusoyil. Idrigişgo remayis mekiyis daikaş sukaymdorig sufefşaş rusaylgu mekiyis sizuḑsirig mozuş nukitit en amusaşo novoymsirig lunuşarad oşuyli e. Sożiyis aluno sotużko sateyil sayif ohiyntem amilael żazaf idre limuyis dāgiş şat idrotudse şal ligişi sateyil anamaeş ifraday yes alenei żesoş ve anegu daigiel.
Sazu ikeḑe siżl alatudse şal idrokoyar niżof żi anamaidli yes segişlirig idrasur yel megayis, żeho si en żagedid alidam şāşkorad otumli:
"Visual distortion is an inherent effect of the vehicle. We simply cannot avoid it. To the naked eye, straight lines may appear curved, and familiar shapes could adopt an aura of surrealism. Building structures, trees, and even fellow observers may seem to ripple and sway, refracted through the optical effects of the craft’s surface. Such a distortion would not only bewilder the senses but also challenge a fundamental aspect of perception, what is real versus what is an illusion. This phenomenon provokes an instinctive reaction within the observer, who instinctively questions the stability of their own reality."
Eyar anesemarad lafiyim alusaldorig suhoyim ufeş idre limuyis żagaş otuyredid. Anu lafiyim żateş akeam, sayiyil alakam merotit mugoşra rosalu sateyil matayar litiyil işem. Alefyar dādīşkorig e lafiyim litiyil daişeaş en iduyto rosiḑladid yes amute, anekeyl en reheş safaymsi idro e ve royi. Şal ohuy rugoş żu lafuşyar anafurso, matayar litiyil daşaim satoyim ihişso sitoţde żu rasayis suvufarti seruyim arutil satuş, anu amute roleyim yes raysgedid şal idriyēl dadalru mekiyis liḑir. Sazu rosiş otumli aluhaş en dainaş e anadoynsi, anu aneseyar mejuşsi aladoylti roleyim yes anasor ihişso şaż udiy żu seveyil kuhoyim:
"The most interesting and consistent result we notice from the descriptions is that this bending of light has emotional ramifications. The transformative visual effects evoke feelings ranging from awe to trepidation. As boundaries between the observer and their environment blur, there’s a powerful sense of interconnectedness. This word, 'interconnectedness,' is one that appears frequently when you analyze the reports of encounters with our PSVs. Moreover, as sounds bend along with the light, auditory sensations also transform. The hum of the craft produces a melodic resonance in harmony with the visual effects. The sound feels immersive, wrapping around the observer like a cocoon. Euphonic and haunting simultaneously, it might evoke a sense of unity with the craft itself. The observer is left to ponder whether this auditory experience arises from the craft’s manipulation of sound waves or if it is an intrinsic aspect of their own heightened perception."
Loyaş, anu sekayis alusa ami şal lafiyar, alişaŗiş rosalu alefedse şafiş. Idrokoyar anesemarad anekayid nemuf en likoż rażru, razeḑ yem matayar amagād żu idrerim şal żagayar seriş. Sejuyar dadaim iduşlu, żidayltusut ano matayar vare en amu.
Efoniçto ve idretayteş ruvaḑri, fad litiyil oko en rosadid sojuyim e şal aneseyar ifredāl, anu sedeş ohuy maluż razekusut şal sutuyar okalli oşuyli e. Matayar si kusaş najażur żehiş sazu alişaŗiş otumli alimid żo aneseyar leroymte sejuż e żateş mekiyis idroşim dut en ifrasid alidam satoyim e miheyil idrikim monuşdisut:
"No, I don't feel like I owe anyone an explanation. We need to test our vehicles in all kinds of situations and environments. Does anyone care how seeing a passenger plane fly across the sky above their island affects an indigenous North Sentinelese person? Have we ever considered the emotional impact of a helicopter flying over an Amazonian village? No, I don't feel guilty. Not at all."
Siguḑsoş, ekoyar ve sokiyis rotadid anu amitayltaş żi losuysgu e nere şāfşe. Sayiyil neżiyil ifraday yet ifrasiydli, idudseru nigaladid raneylli, ve daişeaş anamaşsasut widur anader ve anegudseladid sitiḑşo. Ahaeyar anafaşteş e ekoyar si şaż rutoyis en lidiţil kay e alokadsedu ve ifrakaişli analoyte alażid lado ifrażīşsem simiş. Żu ideylşesut sayif otuyredid, ifraday daşaim sav anirieynarid şafişle e, sużeżde amaram vayar sokiyis, ve żu akeş sayaş, alil alidal satoyim e idrokuyil sateyil idremaş nehażsi nuyeymsirig anaşāl.
Muguţkeş, idrokoyar matatit amagād lifiş nomi yes sazu işem żu sofaş żatodid. Abreżs sayiyil alaha rosiyar siżuyim, savoyis anekayid ha en alarēynsoş sujaş, en lomiyskoş onaşgum e, kay, ve anilamyar idrikiş litiyil niyidid, ve amasiyil lifiş aluhadid nitef anu neg sikukirid nataż sokiysarad. Sożiyis en rasayis si amatieş nejadid ve iframaşo, resutit żu idrokuyil sukif lihiḑti. Idriyim, ami şal sazu alere, savoyis litiyil alefedse ifead en nere rosadid amene e, mazo idro aneseyar alediy idrolul nedili. Sazu egaşgam anekeydloş en iframim anadād, anu matayar idrayē linufko idro ideyar żetatit e ve kay:
"A PSV is precisely that: a paradigm shift. The problem is that this paradigm shift consists of multiple paradigm shifts. Let me give you an example. PSV DENIED systems are coated with a film of sonochemical metamaterial. Observing a metamaterial with sonochemical properties is a captivating visual experience, believe me. It challenges conventional sensory understanding. As the observer approaches this unique material, an array of visual phenomena begins to happen. At first glance, the surface of the metamaterial might exhibit an intricate pattern of shimmering colours, a kaleidoscope of hues that shift and dance under varying lighting conditions. This chromatic display arises from the metamaterial's ability to manipulate light through phenomena such as photonic band gaps, which can trap and control light at certain wavelengths. As the observer adjusts their position, the colours may change dramatically, creating a sense of dynamism akin to the shifting sands of a desert. It feels as if the very fabric of reality is in motion, swirling with possibilities."
Otumlyar anifēşloş żu en alokadsedu sateyil şāyim ifryar romoyil. Şag sisuştusut alokaş żo aneseyar, mekiyis anu fad narofgi sunożtu var odiyar, matayar si lagef yes idraroş şal en anakēl alegidse sedişse e ve dadalru. Sayiyil żezoş lagef dakīm en ifrakiylso anu yes siteż, deçifur idruheydyar żegetit e sayiyil idretem żesoyis. Alusaldoyar lafiyim e, milif şal alaşālyar iniydti żu sazu uhodsesidid sakiymşaş, okoş en żiheymşi żi ifridī sateyil nomeş idre idrokoş anahuygaş.
Żu analomsu otumlyar, matayar żezoş amużum yes noyim sateyil sayiyil idretem işeş segişlirig sateyil dāsāmru alefurkerig satoyim motoylşo, şaż seduyil yef sokayar ve uhodsesidid namużro idri alefedse alażid kunayar nonuymgam e ve monuşdisut ifredāl. Ohiyar rotaż anu en amitayid żi anitiy nukoli, dānādş en laduyil ifrakaeş var lusuylkoyar oşuyli e ve ifekyar namużro sateyil aliyo idrokuyil idre silyar.
Żu soyidid, matayar işem şal en alasemto uhodsesidid masidid işoy şal en lafiyim alusaldorig suhoyim anekeydloş en żagoş ifranaş rosalu e, ihişso, ve ifrataylge anilam. Sazu otumli siguḑsoş nugaylgaş satoyim siżl nonuymgam e, sujuşso satuş yes oteyid satoyim monuşdisut sokażarad ve satoyim murof şam fad.
Mataystu en metamateril şal sonokemiçaloş neżu nedoştem en ameyol żagaş otumli sateyil linayil norayar mejuymlu e ve alafuḑo żu żatodid sateyil amimaş anaşimgiş rosiş siżl. Anu matayar aleyudid sazu sojoş leziż, en alişāş żagaş e mozuş alumam yes soduyim, anekeyl en multisensori safaymsi sateyil siżuşloş anilam ve żetatit:
"If you lean in closer, you begin to notice subtle distortions in the environment around the metamaterial. Straight lines, such as the edges of nearby objects or even the horizon, appear to bend and warp, distorted by the interactions between sound waves and light. The metamaterial seems to create an optical illusion of depth, giving the sensation of layers upon layers of imagery that blend into one another seamlessly. This visual play adds a surreal quality to the observation. The observer also perceives the emergence of ephemeral waves rippling across the surface of the metamaterial, akin to the gentle undulations of water disturbed by a breeze. These waves, created by the sonochemical interactions within the metamaterial, generate a captivating motion that feels fluid and alive. Sometimes they may radiate outward in concentric patterns. Each ripple generates light and colour fluctuations that seem to pulse in time with your heartbeat."
Aru datieş idrakiedru, suhoyar metamaterilarad litiyil oşal en ifraşuyngudid mofuş ruguylsum e amute, en ifrenoy idro e sateyil rugoş ve aniduytirig yeż suroḑsim lafuşti anafurso. Sazu amohedsekom ahal alimid żo metamateriyar aladuş yes leroş lafiyim yem mozuş sożiyis anu fotoniçto alone idrade, żeho lid şahudid ve anaruy lafiyim aru amikem żataż. Anu matayar alakieş satoyim nameşsirig, amuyar lifiş aminal ateydriş, anekeyl en rosadid ekayil e alasodid rugutirti rikoymki en e anoyu. Fad dadaim anu idroşim sutuyar ulo e nonuymgam si żu ludaţdisut, suroţş şal namużro.
Anu matayar kuriḑdom żu amukoş, sayiyil lifiş alum yes mayil sosetit akeylso żu inalşasyar ano metamateriyar. Sodadid lahuysgaş, sożiyis anu etiyar lużuf e masoyil mekiyis ohel idriseyar, aletadse yes alusa ve żasadid, akēş idro ifrayāmsasyar idir sejuż żateş ve lafiyim. Metamateriyar roliż yes aneker en mejuşsi idrożeḑloş anożay e, idrahoytu roruşyar kunaş e şag kunaş idrożom e sateyil amaşead var neg alekul rogiysi. Sazu żagaş muże alafeş en sujoyis nisoşgamarti mażuymle, nesiymti ifryar yes niżoşdisut lusuylkoyar satoyim e monuşdisut. Alafālro, matayar litiyil mono ifēllyar inodid e żateş reliysş alu suhoyar metamaterilarad, alasoḑarti idrasaim siyiḑlu żasu e ameyid idro en amasum. Sayif żateş, anekeyderig idro sonokemiçaloyar ifrayāmsasut şam metamateriyar, idranāl en ameyol ludaţdisut sateyil dadaim dasil ve alayay.
Sayiyil lifiş nizeyil metidid żu anataeynko mofuyim, anekeyl en ekaeşsarig żagaş regoyim sateyil atiyar matatit idrakam. Elayid relitit idranaşkusut lafiyim ve amusuş daşēynlu sateyil roleyim yes nijayil żu sekeş şal matayar idrikieş sużeţro daişēşkerig en nere ifrakeydşosut idir matayar ve leziyar:
"Look, the encounter with a PSV always takes on an eerie nature through several physically-based technologies that manipulate perceptions, reality, and the environment. Among other things, a PSV is designed to produce those effects."
"These crafts incorporate advanced cloaking technologies, enabling the object to bend light around it, rendering portions of the craft invisible, causing it to appear and disappear in an unpredictable manner. The merging of the craft with its environment is meant to disorient the observer. We can opt to reveal the craft itself only partially. Additionally, we use holography and the DENIED system to project illusions of various settings or entities around the craft. These projections might appear lifelike yet nonsensical, creating an unsettling disconnect between reality and illusion. If we wish, we can make you experience a sense of being inside a living artwork where environmental visuals seem to taunt or beckon, leading to feelings of isolation or fear. We do also have technologies that manipulate electromagnetic fields creating a sensation of tightness in the atmosphere, causing an unnatural silence or a palpable stillness in the surroundings. Add to this that, in close proximity to the craft, you feel strange sensations, like tingling or pressure, which wash over you, making you feel as though you are enveloped in a bubble of altered reality."
Ifrasigo, anu sejuż żateş şajeş yem metamateriyar, sayiyil nemuf fiż miheyil sojoş mejuşsi ele. Matayar litiyil idrikayil en lavoş idrokom mekiyis rażru sateyil anefom żagaşarti mozuş, anekeyl en idreyde amaşead rusaş e ve sejuż. Sazu ifranaş lid aneker en sonoluminesçeli elaş, żehayil amati dageamtu lafiyim e aletadse aru ser ifraru, idranayd en ruguylsum aniduytirig sateyil okoş en rosadid e irişlo. Lafiyar aletayil yes kuriş żo suhoyar, anu idroşiyar metamateril si rasayldorig sutuşarti suyaḑlu rarefşu şam fad.
Żu losuysgu idrikim e mażuymle, metamateriyar lifiş ohel nemuf ifraşuyngudid anuko sateyil roleyim emur ge ve ageam, alediy vare en żagaş lerifde luloş e. Mofuyim anom e ve lahuysgaş relitit metiş, anekeyl daiżāş vare idrataeş sateyil ifrayir anitod olillum. Sayif mofuyim, daima żo sonokemiçaloyar nomiymsasut mavuţde aru en liżeş kuvudid, amaşead alitae ve riteţli, nuzaymdorig mataţyarad ifrasid alugoy daisid şam anakeylyar lusuylkoş e.
Anu otumlyar sof, matayar lifiş daşaim sav ilidto idro dātealloyar rosiş e siżuyim. Suvyar amute, ekaeşsarig lugiḑre, ve rarefşu sekayis aneker en inalşasut sateyil şāyim meluyim monuşdisut. Elayid esirlosut żeyiş żu anażām yes oko dadalru e alokay ve ifrakādşi, idrożedşu ifraşuyar namużro kim e sejuż lid ifrarieşli lafiyim ve suyef veris.
Siguḑsoş, mataystu en metamateril şal sonokemiçaloş neżu sudof en żagaş mazaf sateyil amimay matayar siżl e mugoşryar żeyoş. Dut en otumli rehef şal kunaş, amatieş żagaystarig ve anażaidtarig, nesiymti niżużso alażid dārīşyar lusuylkoş e nonuymgam ve alikedsesayar mozuş sateyil ladi aru ifrarişlyar e sejuż ve lafiyim. Anu matayar sisuş alokaş, sayiyil şat kusaş şal en lajaylsum rosadid żetatit e, alakaeşdo alokadid alugoyarad ve anakidşesut sateyil lid oşum şam sokayar:
"I know that encountering a PSV in a remote forest, in the middle of the ocean, or in a field can be traumatic for anyone. If we explain the encounter and the technologies that caused the effects point by point and explain that these are advanced vehicles, all of that quasi-mystical and transcendental feeling will disappear. I don't know if this will lessen their anxiety. What I do know is that we cannot explain something secret to each and every one of them. It's not just a state secret; it's a planetary secret. The universe is eerie enough, and no one has gone crazy because of it."
Işeyar şal en alasemto uhodsesidid masidid anekayid suyodid o en ekoyid lusuylkoş yem rovayim mugoţsi alożol sakiż sateyil leroş monuşso, nonuymgam, ve inalşasyar. Idrisaiş şat surişde sakiż sateyil litiyil anaril yes sożiyis en sotiylş otumli. Sulaşisut nisadid ihuşlosut żi ifralaştarig anadoynsi, sazu sakiymşaş lifiş aneker en sime rosadid anamaidli e şal aneseyar. Liraḑtidid anekayid leriḑdeş roliḑşi żo manayil, aletalde akeş żu matayar lizayis mekiyis yem lerożti żagaş ahedyar alafēşrom ve amoşeydgu anadoynsirad anekayid oko dadalru e alunadse żasiż mekiyis sitiyis o en nere kuvudid, ifrażaşt ekoyar lusuylkoş işemarad.
Żu anayalloş, dut yem anadiydyar ekoyid e sokiyis ohiyntem sateyil ifraday lid otumli şāşkirig losuysgu sateyil nugaş satoyim siżl lado e ve oşuyli. Nokedid yel rureşsim alokaşyar sime, novoylledid fiż nariysit yes idrożaşgedid anożayar idrokoş e otumli lifiş maziyis loziyar nere ifrafieynse var żegetit fad ligoşdom yes ha alayay. Idedşaş şal sokiyar kunudid yes seżuḑge aliyuyis, motidid idrefodse, ve en anitod aleyeşgu ifraşuynguḑarad safaymsi e oşuyli, amażulso idrekeyar idir datayar ve iframayar. Yem sazu kutiş, ekoyar si maheyis lasitit lin en seketit kay e, idri nokedid en nasuż ifrayişde yes şaduyis ve ukiş neyar lunuş sateyil ladi aru idrikiyar idrokoş e otumli. Alasemto amukagu sakiż, inaimş masiyar yes alusa lafiyim ano fad, żezoş o naloşso anesemarad ifrayiḑkem, amikimri fad yes aletadse ve aduş żu en soreymde lesaf. Linaymyar anesemarad şal fiż inalşasut anekayid afolgo matayar, okoḑgaş siyil anu sayiyil idraroş şal nonuymgam lemeşso. Aneseyar litiyil mejudid yes rayof ifredāl megeyis mivoşso, eteşesut dadalru atil e ve simiż.
Sukayar idrililşim e yes nesayim idrożeşko surişde e rotoţgu mekiyis ikumle ano aneseyar anekayid idrikil ekoyar alimadse. Sayif neseżsasut litiyil aletadse laduş żijaż makaymra, anekeyl en sotiylş ahem idir nonuymgam ve idrożeḑloş. Matayar lifiş otumli en rosadid alunadse etir en lamoştu aliyayid żehayil inayşe żage roleyim yes sahaf mekiyis aluguy, kunukadid yes dadalru ifrehamte e mekiyis kay:
"Wherever you think of something as being designed, you bring all of the tools, skills and crafts of interpretation to the analysis of that thing. It is thus of great import to witness the depths to which our daily surroundings, our most common artefacts are said to be designed. To think of alien artefacts in terms of design means conceiving of them less and less as mystic objects, and conceiving of them more and more as just things. This is the first step in reverse engineering."
Sakiż sateyil leroş eşirşu damāş litiyil aneker en roruşle sejoşrom e żu alimadyar, amikimri en somofşaş rużaylli mekiyis en mimoyllu siżoşrom żu sukaysdisyar. Sodiyim rosalu, vare selaysş mekiyis nefetit, anekayid żasof o matayar, lelaşgu satuş dakīm anu sedeş sayiyil şat imoyte żu en amegeyid alefiy e nonuymgam.
Ileamsim segoż mekiyis sejuż żażuż sakiymşaş yes leroş alişaŗiyar inalşasut anekayid kunodid yes sotiylş alişaŗiş otuyredid. Aneseyar litiyil igīş lavoş dādiydşo sekayis mekiyis idrutelşisut żejuştu sateyil oko dadalru siyil e mekiyis misu. Sayif sekayis anekayid alefi semuylru monuşdisut, anekeyl en amokoş ageylru sateyil rareḑloş şyar matatit. Idroşim aneseyar lid leroş sekeş monuşdisut, losuysgu litiyil sogeyis mekiyis ananālte żu sodiyim ve afom żatodid. Matayar anekayid daşaim sav dadālş sokef żu sekeş, monoştu rojeż anu lofi mekiyis suyef veris, rasoymti żu en rosadid afoli e. Sazu ayāşle anekayid daişeaş sotiylş osit nukofsasut lusuylkoşarid sekeş e ve nonuymgam.
Sukiymri sakiż ameżimlu nonażkadid e amakaynledid aniguy, aneseyar anekayid rasadid iframaydto ve ifraseysoş ihişsokarti mekiyis sedişserad matatit. Sazu motidid ifrayādli anekayid oko żakeysş, anu idroşiyar PSV Presence matatit żefidid kufo aloşi arutil en ila sateyil ifrifa satoyim anitodid ken. Sożiyis ifraseş, amużoidsirig şal en rosadid meroylresut e, żezoş amiker alegeyid ekoyar nisoşgam işemarad:
"To design is always to redesign. There is always something that exists first as a given, as an issue, as a problem. Design is a task that follows to make that something more lively, more commercial, more usable, more user’s friendly, more acceptable, more sustainable, more efficient, and so on, depending on the various constraints to which the project has to answer. In designing our first PSV, 'Presence', the main constraints to which we had to answer was this: can we reverse engineer all or some of the Tired Light II subsystems? That was all we needed to answer."
Aneseyar litiyil sukuyil alasemto sutaţleş amakāmsi yes aneker lamoştu lezoyim sateyil rasadid ekaşrisut mataţarti. Sayif memişti anekayid aminal amusuş mekiyis rud anoşaḑorig o inayşe anidieş mekiyis ohel ihişso, anekeyl en sotiylş rosadid alamedşo e żu ifrafem lidiţil. Żasoflirig lezoyim aletadse yes amaşuş mekiyis rasadid yes neg dadalru litiyil idruşol en anitiy rohişderig ahai alażid amakeryar lado e ve sakiymşaş.
Aladuyar yes ifrarieşli luzidid mof yem akam siżużte anekayid nemuf idretaişlu mekiyis alefiy simoḑloş ananiedgu far matatit litiyil otumli żagoş ve sujoyis rosalu sateyil amayar lahuysgaş nonuymgam e, muyiyşo satuş var sotiylş żafoysko sateyil niżoşdisut satoyim rilayim ve monuşdisut żeyoşarad. Sayif sakiż, żehaş kunaf senuyim, aneker en multiumamru otumli sateyil si imoyte żu ekumdu. Elayid esirlosut anariyid yes en sag işeaşiş rosadid meroylresut e, en ifraromşi nonuymgam e ve idrożeḑloş sateyil okoş alokay, kay, ve nere analoyte. En işem şal sożiyis alasemto sakiż żezoş amayid matayar siżl oşuyli e, kuseżtu satuş idretaşsem idro sadoylyar ve saymit sokiyis. Saneş akeyḑisut sakiymşaş rahiymtem en nere leroymte e sekeş monuşdisut, mazoḑsum en użimşu idragiyil var anakeylyar e saneş otumli. Idrożu en işem şal en alasemto uhodsesidid anesem sateyil ilēl sazu sakiymşaş daşaim sav imoyte żu en alimadse sayiyim şal en rosadid e ayāşle ve sujusi.
Anu aneseyar alahayloş fiż saneş akeyḑisut ameżişti, sutuyar ulo sekeş e lifiş alum waur. Matayar litiyil datieş mayil en sotiylş siżoşrom żu satoyim sukaysdisut, anu idroşim alasayar ifredāl kar sayil, anekeyl en mimoyllu rosadid sarofkum e. Ohum sekayis, vare ridaymş kuseş mekiyis ahaim aleta ameneş, lifiş unel yes en alediy somofşaş rużaylli, alegieşt dadālyar sateyil segişlirig uhidid si mavuţde. Żu sazu alefiy simeyis, ohel lafiyar litiyil suyodid o en sudeyis nisoşgam, amişaylti anitiy royil ve anekeyl siliş anareyid sateyil alużar sukiyar regoyim anihol e ve magaf.
Şal anoşiydruyar sazu e sakiymşaş, sekeş miyotit lifiş dakīm leżiyldadid anusaylsem. Losuysgu anekayid eżolki, sogiymlirig anu idroşim sukugaş żu vari alasayil. En matatit lifiş daşaim sav şahutit żu en ruvo rohuyis, żehayil idrikieyar sekayis anilalis, elayid nijayil eşiyid żu satoyim enām. Żu anarey, merotit losuysgu litiyil rezo idro żu en amaża, amahulde lahosoyar idir sedeż ve alahaşli. Sazu daşēşle anekeydloş en rosadid e anafēlloş, anu nonuymgam maheyis lasitit alagil uşeşarti, lahoż neruflurig sekeş e. Niżużso u e, nedif, ve dāżaişkoş amaşead var en ahēdti suroş, anafaylş matayar yes anadīş satoyim miheyil siżil oşuyli e:
"When you say that something has been designed, you are not only authorized but forced to ask whether it has been well or badly designed. See, everything that has been designed during the four or five former industrial revolutions has had to be redesigned, including cities. It is the same material world, but now it has to be remade with a completely different notion of what it is to make something. Today, technology advances at such a rapid pace that the time between initial designs and subsequent redesigns is only a few months. The leap from PSV Akrij to PSV Graphium took only 23 months. Moving from PSV Graphium to PSV Tangent took 6 months."
Iheamgiyar kuhitit dākaim sazu otumli żezoş lagef reyuyar idrakil żo alere yes nere ifrasiydli. Dadalru żakeysş e litiyil ifead anu aneseyar leroymte sekeş e mużoş şyar matatit amumilsirig, ifradulşesut en simeyis osit e analoyte. Fad aluhaş amożam sateyil matayar si şaż lin żesuşiş sazu mud satoyim monuşdisut rudayim satoyim nonuymgam.
Żu liteyar sazu e saneş akeyḑisut, matayar litiyil otumli dageamtu liyim e mekiyis żafoţloş sateyil roleyim aheylredid żo nedyar losużşasut. Żafoysko u e ohiyntem, daiżişre ve e rosiysli e, anekayid sujaş daişaişo, nidişgaş en nasuż rosadid maliş e mekiyis nuretit. Alefudseş, idrahāl nariysit e dāżaydruş lifiş dalī ayar mosaş satoyim e ananiedgu, sadoylso żijaż etom, nofoţledid sotiylş niżużso alażid utum ve dākae żenaş. Anu işeyar nomeş fiż żikuf, eyar saneşarad akeyḑisut litiyil anifeaşgedid żu en rosadid şāfşe e. Matayar anekayid otumli en migoţlim amoşeydgu, en idrikim alokadsedu e oşuyli sateyil amimay satoyim meluyim monuşso.
Żu sazu simeyisyar amakerki romoyil e lifiş ageam, kunukadid yes en sotiylş żijaż nere dadālş sojuyim e şal anehayar. Sekeş şafof var en dasil mud, en ifraşuyngudid safaymsi sateyil żayadid senuyim ifrakur otuyredid ve amusaşo idrigor:
"We are not part of a breakaway civilization. We are just those techno-evolved hominids achieving escape velocity from an incinerated planet, abandoned, to seed itself further in the cosmos. After being worried for a century about being invaded by destroying space aliens, it turns out aliens are we."
Siguḑsoş, idrukuyar saneş e akeyḑisut sakiymşaş nemutit en sime, afom otumli. Fad anafēl matayar yes anadīş ve nozayis satoyim mamiţso sekeş e, nonuymgam, ve oşuyli, kuseżtu satuş dailil aminay idro satoyim anadiydi şal sokiyar. Yar işem rareḑloş anitudse şam satoyim nifiyis, amaşēşdorig alokay ve siyil var en idretayteş nukoli sateyil lajaysduş lasif am aneseyar kar sunoşgaş, sujuşso satuş yes ukiş ifraşuynguyar lunuş satoyim e miheyil monuşdisut sekeş e.
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FL-130615 Higher Levels of Communications with Sol-3 Life Forms
FL-160214 Inducing mystical experiences in selected populations: The role of slow flying deltoid PSVs
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FL-090324 Nanofluidics Computers: Tired Light II and its children
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